African native and jewish american literature and the reshaping of modernism kent alicia a. Strangers at home : American ethnic modernism between the World Wars 2019-03-23

African native and jewish american literature and the reshaping of modernism kent alicia a Rating: 5,2/10 1641 reviews

African, Native, and Jewish American Literature and the Reshaping of Modernism (review)

african native and jewish american literature and the reshaping of modernism kent alicia a

Yet he is also wary of recent projects that have found room for comparativist agendas within a fully heterogeneous United States; he names John Carlos Rowe, for one, as typical of critics who, in their attention to diverse and marginalized figures, oversell the significance, in global terms, of cross-cultural work that never looks past America's own borders. A wide range of texts complements the broad scope of the project, but special consideration is given to such diverse writers as Mourning Dove, Zora Neale Hurston, Nella Larsen, Frances Harper, Mary Antin, Anzia Yezierska, Toni Morrison, and Gertrude Stein. After you're set-up, your website can earn you money while you work, play or even sleep! The anthology is a compilation of articles printed earlier in the now defunct journal of the same name. Yet Dearborn's assertion that all American literature is, in a sense, ethnic literature and her insistence on the centrality of gender and ethnicity in both American cultural and literary studies remind scholars that there are abundant trajectories to explore. In this sense, In Her Mother's House benefits from the observation that familial forms and domestic arrangements may be, at once, the instruments and means of rejection of nationalist ideologies, just as the mother-daughter relationships in the works of many Chinese American women writers reflect uneven negotiations of political and cultural hegemonies. Rather than focus on the ways others have represented these groups, Kent restores the voices of these multicultural writers to the debate about what it means to be modern.

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A. Kent: African, Native, and Jewish American Literature and the Reshaping of Modernism (PDF)

african native and jewish american literature and the reshaping of modernism kent alicia a

This is a book that offers a fresh take on modernistic views, leaving the reader with a unique concept of connection among African, Native, and Jewish American literatures and their impact on early modern and contemporary literature. African, Native, and Jewish American writers in the early twentieth century instead developed experimental strategies of self-representation that reshaped the very form of the novel itself. Kent traces historical circumstances of forced and voluntary migration that caused modernist alienation in each culture, and her close readings of two main texts in each chapter map divergences and commonalities within each literary tradition. An interesting addition to both modernist and ethnic literary studies. In the opening chapter, Susan Allen Toth presents an inventory of themes and locates where they appear in the work of New England women writers. Ultimately, however, this book fails to provide a compelling alternative to what its author regards as insufficiently comparative hemispheric work. Hughes was also an enthusiastic traveler, as his diaries reveal and as his local hosts sometimes joked.

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African, Native, and Jewish American Literature and the Reshaping of Modernism

african native and jewish american literature and the reshaping of modernism kent alicia a

While there is no single reason for this redirection in scholarly attention, perhaps the most obvious catalyst has been the dawning recognition that both mainstream and critical readings of popular Asian American texts -- and here The Joy Luck Club inevitably leaps to mind -- have seized on generational conflict as a means of diminishing the cultural and political incommensurabilities of Asian American existence. This book explores how the fiction of African, Jewish, and Native American authors participated in the new contestations of self and history that defined the modern in American culture- valuable contribution to modernist studies. Kent investigates the causes of American cultural attitudes by drawing on migration patterns, laws, media images, popular entertainment, and anthropological trends. Franklin's literary guile may be nothing new, but to see such foxiness beside Richard Lovelace's own eloquent transgressions adds nuance to his texts, especially given Giles's fine observation. The various essays take off in such a number of unrelated directions that coherency is threatened. Even though most scholars, according to Kent, may understand that these three communities wanted to conform rather than experiment, their art takes Journal Legacy: A Journal of American Women Writers — University of Nebraska Press Published: Jun 4, 2010.

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African, Native, and Jewish American Literature and the Reshaping of Modernism by Alicia A. Kent at Abbey's Bookshop

african native and jewish american literature and the reshaping of modernism kent alicia a

Kent examines six novels of the early twentieth century through the lenses of modernity and Modernism in African, Native, and Jewish American Literature and the Reshaping of Modernism. In this respect, Hughes is an ideal subject for exploring both the universalizing ideals of modernism and its heterogeneous fragmentations along linguistic, racial, and political lines. Dearborn's Pocahontas's Daughters: Gender and Ethnicity in American Culture the figure of Pocahontas serves as a thematic paradigm for a study of the relations between American female ethnicity and the novel. Not only does she provide a clear, authoritative viewpoint, but she also incorporates historical context and images to provide support for her claims. This convincing and solidly argued book constitutes an important and valuable contribution to modernist criticism and will require revision of the categorization of African American, Native American and Jewish American literatures of the early twentieth century. Is it possible or profitable to consider gender and ethnicity as marginalizing factors in American life? Kent charts how these three literary traditions have used similar methodological approaches such as experimenting with genre forms to resist cultural stereotypes, yet she demonstrates how and why these choices vary anthropology vs.

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African, Native, and Jewish American literature and the reshaping of Modernism (eBook, 2007) [devopscomplete.com]

african native and jewish american literature and the reshaping of modernism kent alicia a

Kalb, Associate Professor of English, Salisbury University. Not only does she provide a clear, authoritative viewpoint, but she also incorporates historical context and images to provide support for her claims. African, Native, and Jewish American literature and the reshaping of Modernism. The editor also neglects to provide definitions or redefinitions of important concepts such as local color and regionalism. Unfortunately, Dearborn's agenda does not permit extended readings of individual texts except Stein's The Making of Americans. . Walnut Creek, California: AltaMira Press, 1999.

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A. Kent: African, Native, and Jewish American Literature and the Reshaping of Modernism (PDF)

african native and jewish american literature and the reshaping of modernism kent alicia a

This book examines literature by African, Native, and Jewish American novelists at the beginning of the twentieth century, a period of radical dislocation from homelands for these three ethnic groups as well as the period when such voices established themselves as central figures in the American literary canon. In another circumstance, Jewish immigrants endured exile from their homeland in order to escape oppressive circumstances, and their project in America was to create a new identity. Rather than focus on the ways others have represented these groups, Kent restores the voices of these multicultural writers to the debate about what it means to be modern. By: Imprint: Palgrave Macmillan Country of Publication: United States Edition: 2007 ed. For all his gestures toward a history of Anglo-American publishing, authorship, and readership—he does, for example, fill us in on Pope's fame in America—the literary history Giles provides seems finally to legitimate his own deconstructive inclinations.

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African, Native, and Jewish American literature and the reshaping of Modernism (eBook, 2007) [devopscomplete.com]

african native and jewish american literature and the reshaping of modernism kent alicia a

This book explores how the fiction of African, Jewish, and Native American authors participated in the new contestations of self and history that defined the modern in American culture- valuable contribution to modernist studies. If one aim of the project is to reclaim the significance of regionalist writing, especially by women, observations on the problematic move toward the redefinition of relevant terms should not be situated almost half-way through the text. The E-mail message field is required. Much of his argument rests on an accumulation of nearly epic similes between British authors and their early American heirs, elaborately negotiated symmetries of formal indecision and interpretive difficulty on either side of the Atlantic. This book explores how the fiction of African, Jewish, and Native American authors participated in the new contestations of self and history that defined the modern in American culture- valuable contribution to modernist studies. She demonstrate the pervasiveness of racial stereotypes on the legal and social identities of African Americans, Native Americans, and Jewish Americans, as well as the profound impact of geographic dislocation on writers and communities.

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African, Native, and Jewish American Literature and the Reshaping of Modernism

african native and jewish american literature and the reshaping of modernism kent alicia a

Contrasting forced assimilation of the former with forced legal and social segregation of the latter, Kent makes a compelling argument that both assimilation to and separation from Euro-American literary traditions can become resistance when seen in different cultural contexts. Refuting claims that their art was? What can they tell us about American culture? This convincing and solidly argued book constitutes an important and valuable contribution to modernist criticism and will require revision of the categorization of African American, Native American and Jewish American literatures of the early twentieth century. Rather than focus on the ways others have represented these groups, Kent restores the voices of these multicultural writers to the debate about what it means to be modern. Uncovering the connections and confrontations among three ethnic groups not often read in relation to one another, Kent maps out the historical contexts that have shaped ethnic American writing in the Modernist era, a period of radical dislocation from homelands and increased migration for these three ethnic groups. One major problem is that the anthology gets off to a bad start with a weak and scanty introduction; neither the topic nor the methodology is adequately justified. Reviewed by Rachel Leah Jablon, University of Maryland licia A.

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African, Native, and Jewish American Literature and the Reshaping of Modernism

african native and jewish american literature and the reshaping of modernism kent alicia a

Journal of Asian American Studies 4. Your mother is, once again, to blame. Uncovering the connections and confrontations among three ethnic groups not often read in relation to one another, Kent maps out the historical contexts that have shaped ethnic American writing in the Modernist era, a period of radical dislocation from homelands and increased migration for these three ethnic groups. Her book is structured around readings of Maxine Hong Kingston's Woman Warrior, Amy Tan's Joy Luck Club and Fay Myenne Ng's Bone, prefaced by some discussion of the cultural and historical politics informing the academic reading of Asian American women's writing. Few would disagree that the current of Asian American literary studies now rushes away from the focus on generational struggle that was often the Gibraltar of past studies.

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